CANGIANZE:
THE DECEPTION OF BAROQUE







Specially created for the fifth edition of the Carla Fendi Foundation Prize - a performance between contemporary and daring Baroque elaborations.
Three different moments of chorality, dance and bel canto. 

The classical vocalism of the Pueri Cantores from the Sistine Chapel with a young and propulsive soul,  real pride and joy of the entire choir. Despite various interruptions, the Pueri Cantores are keeping alive a tradition which has lasted for 15 centuries, contributing to the enhancement of a unique musical heritage of its kind. In this performance the choir dialogues with the words of the poet GIUSEPPE MANFRIDI upon music by SAMUEL BARBER.
Versatility of great soloists who "mislead" with unexpected appearances. The Escuela Nacional de Ballet of Cuba, the best of European and American academic traditions inflected by the typical vitality and musicality of the Isla Grande; in juxtaposition with the Baroque music by GIAN BATTISTA LULLI.
A voice without boundaries and limitations. Mastery beyond time for the countertenor Max Emanuele Cencic, one of the most important figures in the rediscovery of eighteenth century music; accompanied by the Baroque ensemble IL POMO D’ORO.
Variability indeed, like mutability and contemporary rewriting of Baroque Theater. Oh the "deception".