Thirty years after its debut, Federico Tiezzi and Sandro Lombardi bring Edipus back to the stage—Giovanni Testori’s masterpiece that, along with Ambleto and Macbetto, forms the renowned Scarrozzanti trilogy.
At the heart of the play is a traveling actor-manager, abandoned by his troupe: one actor has defected to a cabaret company, while the leading actress has left the stage to marry a furniture dealer from Brianza. Left alone, the Scarrozzante performs Sophocles’ Oedipus night after night, playing every role himself—from Laius to Jocasta, from Oedipus to Dionysus—in a spiraling frenzy.
As the performance unfolds, the line between myth and personal life dissolves. Oedipus’ resentment toward Laius mirrors the Scarrozzante's bitterness toward the actor who deserted him, while his feelings for Jocasta reflect his love-hate relationship with his former stage and life partner.
Testori’s language is revolutionary—an Italian that fuses Lombard dialect, French, Latin, and Spanish, with echoes of Ruzante. This linguistic inventiveness makes Edipus a landmark of "poetic theater." It depicts a world of theater in ruins, yet brimming with an indomitable vitality. As the Scarrozzante proclaims: "That theater… exists and will resist against everyone and everything until the end of all ends!".
A visionary artist straddling theater and the visual arts, playwright, actor, and director Federico Tiezzi once again directs Sandro Lombardi in the role of Edipus—a performance that earned him numerous awards and prompted critic Franco Quadri to marvel: “Who would have imagined that a Tuscan from Casentino would become the ideal interpreter of Giovanni Testori?”.
by Giovanni Testori
with Sandro Lombardi
and Antonio Perretta
direction Federico Tiezzi
set design Pier Paolo Bisleri
costume design Giovanna Buzzi
light design Gianni Pollini
production Compagnia Lombardi-Tiezzi
in collaboration with Fondazione Teatri di Pistoia and Associazione Giovanni Testori
INFORMATION
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Director, playwright, visual artist. His studies in art history with Roberto Salvini and Mina Gregori and his connections with artists and musicians proves decisive for his theatrical vocation. During the seventies of the twentieth century, he establishes himself among the leading exponents of the New Italian Theatre as a theatre director, making his mark on the Image Theatre and Post Avant-garde theatrical seasons. In the eighties, he begins to theorize and practice a form of poetry theatre aimed at combining dramaturgy of verse and stage writing. He then makes his opera directional debut in the early nineties with Norma by Vincenzo Bellini. From this moment on, his work on melodrama will develop in parallel with his direction of prose theatre. Throughout his career he has staged works by Aristophanes, Beckett, Bernhard, Brecht, Chekhov, D’Annunzio, Euripides, Forster, Luzi, Manzoni, Müller, Pasolini, Proust, Sophocles, Schnitzler, Shakespeare, Testori, and within the field of opera he has worked on Bizet, Corghi, Giordano, Mascagni, Massenet, Mozart, Pennisi, Puccini, Purcell, Rossini, Vacchi, Verdi, Wagner, Zandonai... In 2021, to celebrate the 700th anniversary of the death of Dante Alighieri, he staged Mario Luzi’s Purgatory at the Grand Theatre in Pompeii. In 2023, he staged Euripides’ Medea at the Greek Theatre of Syracuse with a record attendance of over 100,000 spectators. In 2024 it is Racine’s Phaedra in the translation by Giovanni Raboni. Numerous, the awards received for his work both in theatre and opera.
Actor, playwright and writer. Under the direction of Federico Tiezzi, he has interpreted, among others, works by Aristophanes, Beckett, Bernhard, Brecht, D'Annunzio, Luzi, Pasolini, Pirandello and Schnitzler. His performances as Giovanni Testori, which have revolutionized the image of the Lombard writer, are of great importance. Between 1988 and 2002, he received four Ubu Awards for best male performance. He has made CD recordings of Poems by Pasolini and Dante's Inferno (Garzanti); The theatre of Giovanni Testori in the shows by Sandro Lombardi and Federico Tiezzi (Edizioni ERI); and Cleopatràs by Giovanni Testori. His most recent interpretations, unanimously appreciated, are Old Masters by Thomas Bernhard, 2020, Scenes from Faust by Johann W. Goethe and Purgatory by Mario Luzi, 2022. His first work as a director was that of Anna Della Rosa in Erodiàs + Mater strangosciàs, 2023. Between theatre, music and radio, he has worked, among others, with Furio Bordon, Arturo Cirillo, Giancarlo Cobelli, Rainer W. Fassbinder, Roberto Latini, Claudio Longhi, Mario Martone, Riccardo Muti, Giorgio Pressburgher, Carlo Quartucci, Pascal Rambert, Paolo Rosa, Giorgio Sangati, Fabrizio Sinisi, and Fabio Vacchi. He published Gi anni felici (The Happy Years), a coming-of-age novel, for Garzanti, Bagutta Prize, First Work 2004. His first novel, Le mani sull’amore (Hands on Love), was published in 2009, Feltrinelli. From 2015 Queste assolate tenebre (These Sunny Shadows), Lindau, on his work with Mario Luzi.
An actor, he graduated from the Piccolo Teatro School in Milan under the direction of Carmelo Rifici. His early collaborations saw him working with Ennio Coltorti, Claudio Autelli, Mario Baldini, and Paolo Bignamini. Between 2021 and 2022, he performed in Doppio Sogno, adapted from Schnitzler and directed by Rifici, as well as in M – Il Figlio del Secolo, based on Antonio Scurati’s novel and directed by Massimo Popolizio. In 2022, he also staged his first solo performance, Antonio – Vita di un Guitto. In May 2023, he took part in the site-specific production Il Fabbricone by Giovanni Testori, directed by Andrea Chiodi. That same year, he was selected for the prestigious two-year advanced training program Teatro Laboratorio della Toscana, directed by Federico Tiezzi, where he worked with renowned artists such as Sandro Lombardi, Roberto Latini, Francesca Della Monica, Monica Bacelli, Fabrizio Sinisi, and Cristiana Morganti.
Giovanni Grasso, Piero Maccarinelli
Company #SIneNOmine
Umberto Orsini, Massimo Popolizio
Luca Marinelli